Narrative writing

IGCSE English 0500 Coursework: Your Complete Guide to Component 3

Victor Tan
 

Today we’re diving deep into one of the most misunderstood aspects of IGCSE English First Language 0500: the coursework option.

Whether you’re a student trying to figure out which assessment route is right for you, a parent trying to understand what your child is getting into, or a teacher weighing up the pros and cons of offering coursework at your school, this post is going to give you everything you need to know about Component 3 – the Coursework Portfolio.

And here’s the thing: some of you reading this might not even know that coursework is an option. Some schools automatically put everyone through Paper 2, while others swear by coursework. We’ll get into why that is, but first, let’s look at what we’re actually dealing with.

The Official Specification

Before we go any further, let me give you the official documentation.

If you want to dive into the nitty-gritty details yourself, here is an essential resource: the Coursework Handbook.

I strongly recommend downloading that Coursework Handbook. It’s got marked examples, moderator comments, and basically everything you need to understand what good coursework actually looks like.

Don’t just skim it – actually read it, especially if you’re planning to take the coursework route.

Having said that…

What Actually IS Coursework?

Let’s get the basics straight. In IGCSE English 0500, you have two options for your written assessment:

Option 1: Paper 1 (Reading) + Paper 2 (Directed Writing and Composition)
Option 2: Paper 1 (Reading) + Component 3 (Coursework Portfolio)

Both options are worth the same (50% from each component), and both give you access to the full range of grades from A* to G.

The coursework isn’t some “easier” route or a consolation prize for weaker students – it’s a legitimate, rigorous alternative that tests the same skills in a different way, but that some schools or students might prefer.

Why Would Someone Choose Coursework?

This is the million-dollar question, isn’t it? Why would you – or your school – opt for coursework instead of just sitting the exam like everyone else?

The Student Perspective

Let me be honest with you: coursework isn’t for everyone, but for some students, it’s absolutely the right choice. Here’s why:

1. Time to Perfect Your Work

With Paper 2, you walk into an exam hall, you get 2 hours, and whatever you write is what you get marked on. There’s no going back, no second chances, no “wait, I could have said that better.”

With coursework, you get to draft, redraft, refine, and polish. You can take feedback (within limits – more on that later), sleep on your ideas, and come back with fresh eyes. If you’re the kind of person who thinks of the perfect phrase in the shower three days after the exam, coursework might be your friend.

2. Control Over Your Topics

Paper 2 gives you some choice, sure, but you don’t know what the prompts will be until you open the exam paper. With coursework, you get to choose topics that genuinely interest you, that connect to your life, your culture, your experiences.

This isn’t just about making the work easier – it’s about making it better. When you write about something you actually care about, something that resonates with your lived experience, the quality of your writing tends to be substantially higher. Your narrative about navigating cultural identity in Malaysia will be more authentic and compelling than a generic story about a haunted house that you’ve never experienced.

3. Reduced Exam Pressure

Some students just don’t perform well under timed exam conditions. Maybe you freeze up, maybe you second-guess yourself, maybe you just write slower than the exam allows. Coursework removes that artificial time pressure and lets you work at your own pace.

4. Building a Body of Work

There’s something deeply satisfying about having a completed portfolio at the end of your course. It’s tangible evidence of your growth as a writer. You can look back at your three pieces and see the different skills you’ve mastered, the different voices you’ve tried out.

The School Perspective

Now, why might schools choose to offer – or not offer – coursework? This is where it gets interesting.

Schools that prefer coursework often argue:

  • It’s more authentic assessment of writing ability
  • It allows for differentiation (stronger students can tackle more complex topics)
  • It reduces the “exam factory” feel of IGCSE preparation
  • It develops independent learning skills
  • Students produce work they’re genuinely proud of

Schools that avoid coursework often cite:

  • Administrative burden (internal moderation, external moderation, paperwork)
  • Plagiarism concerns (more opportunities for dishonesty)
  • Difficulty ensuring all work is the student’s own
  • Challenges in managing the drafting process appropriately
  • Inconsistency in marking standards across different teachers

Neither position is wrong. It’s about what works for your school’s context, your student population, and your staff capacity.

Coursework vs. Paper 2: The Commonalities

Here’s what you need to understand: the skills being tested are identical.

Whether you’re sitting Paper 2 or submitting coursework, Cambridge is assessing your ability to:

Writing Assessment Objectives (W1-W5):

  • W1: Articulate experience and express what is thought, felt and imagined
  • W2: Organise and structure ideas and opinions for deliberate effect
  • W3: Use a range of vocabulary and sentence structures appropriate to context
  • W4: Use register appropriate to context
  • W5: Make accurate use of spelling, punctuation and grammar

Reading Assessment Objectives (tested in Assignment 1 only):

  • R1: Demonstrate understanding of explicit meanings
  • R2: Demonstrate understanding of implicit meanings and attitudes
  • R3: Analyse, evaluate and develop facts, ideas and opinions
  • R5: Select and use information for specific purposes

The mark distribution is also identical:

  • Paper 2: 40 marks for Directed Writing + 40 marks for Composition = 80 marks total
  • Coursework: 30 marks for Assignment 1 + 25 marks for Assignment 2 + 25 marks for Assignment 3 = 80 marks total

Both routes test your ability to:

  • Write persuasively/argumentatively in response to stimulus material
  • Write descriptively
  • Write narratively

The genres, the text types, the language skills – all the same. The only difference is how you demonstrate those skills.

Coursework vs. Paper 2: The Key Differences

But of course, there are significant differences in how these assessments work:

1. Time Constraints

Paper 2: You have exactly 2 hours to complete both tasks. Time management is crucial. You need to plan quickly, write efficiently, and have no time for extensive revision.

Coursework: You have months (potentially the entire two-year course) to complete your portfolio. You can spend as much time as you need on each piece, though practically, you’ll be balancing this with your other subjects.

2. Drafting Process

Paper 2: What you write is what you get. You might do a quick plan, but there’s no opportunity to draft, get feedback, and redraft.

Coursework: You’re required to submit one first draft with your portfolio. You can plan extensively, write a first draft, receive general feedback from your teacher (though they can’t correct specific errors), and then produce a polished final version.

3. Topic Selection

Paper 2: You choose from the options provided on the exam paper. You don’t know what these will be until exam day, though you can practice with past papers to get a sense of the types of questions asked.

Coursework: You and your teacher negotiate the assignments together and even select texts together. While there are guidelines about what each assignment must achieve, there’s significant flexibility in choosing topics that interest you and suit your abilities.

4. Use of Resources

Paper 2: No dictionaries, no notes, no reference materials. Just you, the exam paper, and your brain.

Coursework: You can use dictionaries, spell-checkers, thesauruses – any resources that help you polish your work. You can research your topics, gather ideas, and draw on a wide range of materials to inform your writing.

5. Stakes and Stress

Paper 2: Everything rides on your performance on one specific day at one specific time. If you’re having an off day – headache, personal problems, just didn’t sleep well – that’s tough luck.

Coursework: Your performance is spread out over time. A bad day doesn’t ruin everything because you can come back to your work when you’re feeling better.

6. Assessment Mode

Paper 2: Externally assessed by Cambridge examiners. Marked anonymously and consistently according to standardized mark schemes.

Coursework: Internally assessed by your teachers, then externally moderated by Cambridge. Your teachers mark your work first, then Cambridge checks a sample to ensure the marking is fair and consistent.

Breaking Down the Three Assignments

Let me give you the quick overview of what you actually have to produce:

Assignment 1: Writing to Discuss, Argue and/or Persuade (30 marks)

This is your “directed writing” equivalent. You’ll respond to a text or texts (about 2 sides of A4) chosen by your teacher. You need to:

  • Select, analyze, and evaluate the ideas and opinions in the text
  • Integrate those ideas with your own views
  • Write in an appropriate form (letter, article, speech, etc.)

Word count: 500-800 words
Marks: 15 for reading, 15 for writing

Example topics that work well:

  • “University: why bother?” – you write a letter to the author arguing for or against their position
  • “Why social media should be banned for under 16s” – you respond evaluating the author’s arguments
  • “Bringing up Chinese children” – you discuss the parenting approaches presented

The key here is that you’re not just summarizing what the text says – you’re engaging with it critically, evaluating the arguments, and presenting your own perspective.

Assignment 2: Writing to Describe (25 marks)

This is pure descriptive writing – non-narrative. You’re creating images, atmosphere, and feelings through language.

Word count: 500-800 words
Marks: 10 for content and structure, 15 for style and accuracy

Example topics:

  • Describe your surroundings and feelings while waiting for someone in a busy place
  • Describe an important gathering or celebration
  • Describe a place at dawn or sunset
  • Describe a sudden storm and its aftermath

Critical point: This must remain descriptive, not slip into narrative. You’re painting a picture with words, not telling a story with a beginning, middle, and end.

Assignment 3: Writing to Narrate (25 marks)

This is your creative fiction or personal narrative. You need to demonstrate features of fiction writing: characterization, plot development, description, convincing detail.

Word count: 500-800 words
Marks: 10 for content and structure, 15 for style and accuracy

Example approaches:

  • Short story with a well-developed plot and characters
  • Diary entries exploring a significant period in someone’s life
  • Autobiographical account of a life-changing event
  • Opening or closing chapter of a novel

Critical point: You need a defined, developed plot. Random events strung together don’t cut it. Your narrative needs structure, purpose, and emotional resonance.

How to Excel in Coursework: General Strategies

Now we’re getting to the practical stuff. How do you actually do well in coursework?

1. Choose Topics That Connect to Your Life

I cannot stress this enough. The best coursework comes from authentic engagement with topics that matter to you. Don’t try to write about exotic locations you’ve never visited or experiences you can only imagine from movies, but instead, about things that you care about or that resonate with you. It’s not easy to find such things right at the outset, but coursework offers an opportunity for you to go on a journey to look for these things which you may not have found otherwise.

If you’re writing about a busy marketplace and you are from Malaysia, describe the pasar malam down the road, not some generic European Christmas market you’ve only seen in films.

If you’re writing a personal narrative, draw on your actual experiences – the anxiety of your first day at a new school, the complexity of family relationships, the moment you realized something important about yourself.

Authenticity produces better writing. Always.

2. Plan More, Write Less (Initially)

One of the biggest mistakes students make with coursework is thinking that because they have time, they should just start writing and see where it goes. Bad idea.

Use the time advantage to plan thoroughly:

  • Brainstorm multiple angles on your topic
  • Create detailed outlines
  • Identify the key images/moments/arguments you want to include
  • Think about structure before you write a single sentence

A solid plan makes the actual writing much easier and results in more coherent, well-structured work.

3. Draft, But Don’t Over-Draft

Yes, you should draft your work. But there’s a point of diminishing returns.

Your process should look something like:

  1. Detailed planning
  2. First draft – get your ideas down, focus on content
  3. Feedback – general guidance from your teacher
  4. Final draft – incorporate feedback, polish language, check accuracy

Don’t do seven drafts. Don’t obsess over every single word choice in your first draft. Get the content and structure right first, then refine the expression.

4. Understand the Difference Between Feedback and Correction

This is crucial: your teacher cannot correct your work. They can’t tell you “change this word” or “fix this comma.”

What they can do:

  • Give general comments about strengths and weaknesses
  • Suggest areas to develop further
  • Point out patterns of error (e.g., “watch your use of tenses”)
  • Advise on overall structure and approach

What they cannot do:

  • Make specific corrections
  • Rewrite sentences for you
  • Tell you exactly what to change

5. Pay Attention to Word Count

The guideline is 500-800 words per assignment. Here’s what you need to know:

  • 500 words is enough for the highest marks if your writing is high-quality
  • Over 800 words often becomes self-penalizing – you lose focus, include irrelevant detail, can’t sustain your style

Many students think “more is better.” It’s not. Concise, focused, well-crafted writing beats rambling every time.

6. Study the Mark Schemes and Example Work

That Coursework Handbook I linked at the start? It includes real student work with moderator comments. Study these carefully. See what gets Level 6 marks vs. Level 3 marks. Notice the specific things moderators praise and criticize.

Understanding how your work will be assessed is half the battle.

7. Tackle Each Assignment’s Unique Challenges

Assignment 1 requires you to genuinely engage with the source text. Don’t just summarize it. Don’t ignore it and write your own essay. Respond to the specific ideas and arguments presented, evaluate them, and integrate your perspective.

Assignment 2 requires you to stay descriptive. The moment you start telling a story with a sequence of events, you’re drifting into narrative territory and losing marks. Create a moment in time, a snapshot that you explore in depth.

Assignment 3 requires proper narrative craft. You need characterization (even if subtle), plot development, and structure. This isn’t just “here’s what happened” – it’s shaped, crafted storytelling.

8. Vary Your Approaches Across the Three Assignments

Your portfolio needs to show range. Don’t write three pieces that all sound the same. Vary your:

  • Register (formal vs. informal)
  • Voice (first person vs. third person)
  • Tone (serious vs. humorous, reflective vs. urgent)
  • Vocabulary level and sentence complexity

Show the examiners that you’re a versatile writer who can adapt to different contexts and purposes.

9. Proofread Ruthlessly

With coursework, there’s no excuse for careless errors. You have time. You have resources. Use them.

After you’ve written your final draft:

  • Read it aloud (you’ll catch errors you miss when reading silently)
  • Check it backwards, sentence by sentence (catches typos)
  • Use spell-check, but don’t rely on it exclusively
  • Have someone else read it (not to correct it, but to spot where meaning is unclear)

Technical accuracy matters. When you are submitting a portfolio work, you should make sure that there are no grammatical errors, whether in tense or punctuation, and you should ensure that your sentences accomplish the goals that you have for them. At the higher levels, the difference between Level 5 and Level 6 often comes down to accuracy.

10. Remember: Same Skills, Different Mode

Here’s the thing I keep coming back to: whether you’re doing coursework or Paper 2, you’re being assessed on the same fundamental skills.

Good writing is good writing, whether it’s produced in 2 hours or 2 months. The assessment objectives don’t change:

  • Can you express complex ideas clearly?
  • Can you organize your writing for effect?
  • Can you use sophisticated vocabulary precisely?
  • Can you adapt your register to suit different contexts?
  • Can you write accurately?

All the techniques you’d use to prepare for Paper 2 – wide reading, vocabulary building, practicing different text types, understanding structure and style – those all apply to coursework too.

The coursework advantage is that you get to demonstrate these skills without time pressure and with opportunities for revision. But the skills themselves? Identical.

This means that strong writers will excel in either format. Weak writers won’t suddenly become strong just because they’re doing coursework. The mode of assessment changes; the standard doesn’t.

A Word on Plagiarism

I need to address this because it’s a genuine concern with coursework: plagiarism is both easier to attempt and easier to detect.

It’s easier to attempt because you have time, you have internet access, you could theoretically copy something or get someone else to write it for you.

It’s easier to detect because:

  • Your teacher knows your writing style from classroom work
  • They can compare Assignment 1 (where you’re constrained by the source text) with Assignments 2 and 3
  • Cambridge has sophisticated plagiarism detection
  • Sudden jumps in sophistication are obvious red flags

More importantly: don’t cheat. Not just because you’ll get caught (though you will), but because you’re literally cheating yourself of the opportunity to develop as a writer. The coursework process – planning, drafting, refining – is where the learning happens. Skip that, and you’ve wasted two years.

Plus, honestly, writing your own work that’s genuinely yours is infinitely more satisfying than submitting something that came from someone else. There’s real pride in looking at a completed portfolio and thinking “I made this.”

So… Should You Do Coursework?

Here’s my honest take on who should consider the coursework route:

Coursework might be right for you if:

  • You perform poorly under timed exam conditions
  • You’re a thoughtful writer who benefits from revision
  • You want to write about topics that connect to your own experience
  • You’re self-motivated and can manage long-term projects
  • You take feedback well and can implement improvements independently
  • You have the time to dedicate to producing high-quality work
  • Your school offers good support for the coursework process

Paper 2 might be better if:

  • You perform well under pressure
  • You’re a quick thinker and writer
  • You prefer to get things done in one sitting rather than spreading work out
  • You struggle with procrastination on long-term projects
  • You’re confident in your ability to produce good first-draft writing
  • Your school doesn’t have strong support systems for coursework

But here’s the reality: you might not get to choose.

Many schools make this decision for their entire cohort. They either offer coursework to everyone, or they put everyone through Paper 2. This is usually based on the school’s capacity to manage the administrative load, their confidence in preventing plagiarism, and their track record with each assessment mode.

If your school only offers one option, that’s your option. Make the best of it.

Call to Action: Let’s Build Some Data

Drop a comment below telling me:

  1. Is your school offering the coursework option, or are you doing Paper 2?
  2. If you’re doing coursework, how are you finding it? What’s working? What’s challenging?
  3. If you’re doing Paper 2, do you wish you had the coursework option? Why or why not?
  4. Teachers – what’s your school’s reasoning for choosing one option over the other?

Your responses will help other students and teachers understand what’s common, what’s working, and what the real-world experiences are with these different assessment modes.

Final Thoughts

The coursework route offers a particular pathway to developing these skills, one that emphasizes depth, revision, and sustained engagement with writing. But it’s not inherently better or worse than Paper 2 – it’s just different.

Whichever path you’re on, commit to it fully. Engage with the process. Take pride in your work. Push yourself to write better than you thought you could.

Because at the end of the day, the qualification matters, sure. But what matters more is who you become as a writer in the process of earning it.

There Are No Miracle People: The Myth of Being “Naturally Good at English”

Victor Tan
 

In a recent class, I talked to some of my students about Greek myths – specifically the myth of Daedalus and Icarus, and I think myths are really cool, the students really liked it, and I think I’ll probably do it again. And so today, what I want to talk about is another myth, and that will apply to many of you out there, the myth of being naturally good at English. 

Now many of you out there are reading this, possibly as second language speakers, or people who just haven’t been doing your best on the First Language English exam, to the point that you need help, you need assistance. 

There’s nothing to be ashamed of, but along the way, some of you may have developed the attitude that maybe some people are just naturally good at English. 

You might think, wow, these people just had a natural talent from the outset, wow, these people had a natural talent from the start, how can I possibly compete? 

It’s fate that they’re doing better than me, and all I can do right now is just read this website so I can get last-minute tips before the exam. 

Uh-huh, I know some of you… All too well!

One thing though… It’s not true. 

Unfortunately though, a lot of people believe it – This idea that there’s an insurmountable divide between those who have talent and those to whom it was not given. 

People blaming themselves for not having talent, declaring that it was fate that they weren’t able to do well, making any number of excuses. 

I won’t say that talent doesn’t exist, because that would be disingenuous, a lie to you and me, but in times like these, I do like to think of a famous scholar from an entirely different discipline –

Physics.
And with that in mind, I present you the great polymath and scholar Richard Feynman. 

Feynman was an incredible science educator. Feynman was the creator of the legendary theory of quantum electrodynamics, otherwise known as QED, which describes how light and matter interact with one another. 

Widely regarded as one of the smartest people in the world, his contributions have revolutionized the entire world, and continue to do so in fields such as quantum computing, nanotechnology, laser technology, and so on. 

But why I mention him is none of these reasons: It is because of this 50 second YouTube clip, There Are No Miracle People. 

You can go ahead and watch it right down here, and I guarantee you that it will be a better watch than the majority of the 20 minute long, drivel laden motivational videos that you watch on YouTube.

In the video, Feynman says quite simply what I believe: 

“There are no miracle people. It just happens they got interested in this thing and they learned all this stuff. They’re just people. There’s no talent, a special miracle ability to understand quantum mechanics”… and you can substitute that with English… “or a miracle ability to imagine electromagnetic fields that comes without practice, and reading, and learning, and study.” 

I’ve found that that’s true, most assuredly, for almost all of my students. The students of mine who have done the best are the students who have dedicated time towards actually learning the English language. 

And of course you might say, teacher Victor, that’s unreasonable. 

How could you tell people to study day in day out? We all need our lives.

And to that I say, the very idea of First Language English is that you use it in your day-to-day life. Why should an exam that’s dedicated towards assessing your capability to use English as a first language not test your ability to take in your day-to-day conversation and all the things that come into your life on a day-to-day basis? 

Was it supposed to be easy or trivial? Were you supposed to just read this site or get a premium membership and then gain the grade that you wished for?

Sorry, but it’s not that easy.

By spending more time with English, you will gain so many opportunities that you will scarce be able to even count them. 

But whether you can capitalize on those opportunities or not comes down to recognizing what an opportunity actually is. 

It comes from seeing that that movie, that K-drama, that song, or that interesting article about a celebrity that almost nobody cares about except you, is a potential source of reading, listening, speaking, and writing material to inspire your thoughts and to give you things to think about in the English language. 

A lot of this really is stuff that you’re already doing but you might not interpret it as part of your English learning – and so a huge part of even starting to learn and to become one of those miracle people is to accept that you are constantly in a learning environment, immersed in the English language, and opportunities to develop yourself that you might not see unless you start opening yourself up to the sheer variety of language that exists in this world and that you should learn from. 

When you take that extra step of awareness of how others interact and use language, it will impact your life. 

How people speak, how they think, how they articulate themselves natively in English in order to achieve their purposes, to create effects, whether it’s suspense or anticipation – tell stories that captivate your heart, your mind, and your soul in ways that aren’t exclusive to the medium, whether English, Chinese, Japanese, or whatever it is that your native language is, and that transcends every single medium of discovery. 

Remember that First Language English is not just about your vocabulary and your grammar, it’s about how you use the language. Paying that extra attention and realizing the opportunities for you to learn will enable you to constantly immerse yourself in ways that you may never have anticipated before. 

In closing, I’d like to echo Feynman one more time. 

There are no miracle people. 

Every single one of you who is reading this right now and who will get an A* at the end of the day will have worked hard, will have practiced, will have read papers, will have trained your ears, your tongue, your ability to recognize natural speech patterns, and to put them down on paper even as you go through this process of preparing for one of the most important exams of your entire life. 

Whatever you do though, however you feel right now, and if you take nothing else away from this article, consider this: 

I want you not to cut yourself out by thinking that you couldn’t do it because it was fate, because remember, there never were any miracle people. There were just people who spent more time with the language, who wanted it hard enough. 

True, part of that is a person’s nature, but it’s something that if you are thinking about right now, and if you’ve read all the way to the end, I know that you can bring about in your life, here, now, and today, have some faith in yourself, because I know that if you want to become a miracle person at the end of the day, you can, and you will make that miracle happen and it will not be an accident.

Work hard, my friends – I’m confident that you can create your miracles 🙂

Yours as always,

V.

40 Excellent Descriptive and Narrative Essays

Victor Tan
 

Hey everyone, very happy to announce that I’m releasing a brand new compilation of descriptive and narrative essays for your reading pleasure. These essays are tailored to the May 2023 IGCSE 0500 exams and they will be a wonderful companion for you as you discover the wonders of rhetoric and learning along the way.

You can pick your copy up today if you’d like to learn how to score that A*, how to craft an incredible essay for FLEand just how to get a good sense of what good writing is to suit your needs.

Here’s a sample – have a look inside!

If you’d like to purchase the book, you can purchase it here 🙂

Enjoy and have a wonderful week ahead!
V.