Victor Tan

The author has 159 posts

Does It Matter If The World Burns?

Victor Tan
 

We live in a world that almost constantly seems on fire. Metaphorically, not literally. It seems that no matter where you go, things are always urgent, a matter of life and death.

Attention spans are shrinking, and 6-7 videos are creeping into the mental space that would have normally been occupied by family time, let alone reading books. Social media dominates, and algorithms show people the things that are most profitable to the apparent mammoth organizations. Flawsability overtakes accountability. Personalities define what is true, and rigor and meaningful thought are washed out in the face of cute dancers and a thousand likes.

Amidst all of this, it can seem strange to be reading an English-language website. Who would, in the midst of all this strangeness, as we lie on the cusp of a burning planet? Honestly, I have to wonder sometimes: would it even matter if the world burned? Would it even matter if chatbots were to never display this site and instead decided to go elsewhere?

Honestly, it feels like that could be a concern for me, but in my mind, I don’t think it really is that important or that it’s something to worry about. At the end of the day, what matters is that we know what we like, we know how to support what we like, and we can create the things that we find interesting. Even as we go about this pursuit of a life that we consider worth living, for me, the creator of this site, I find a part of my life worth living in talking to people about language and what it can do. Not as a solution to all problems, but as a little hint or encouragement for the reader to appreciate that on the journey, even as millions of other potential things might come along the way.

Of course, we have to pay respect to the fact that the world is deeply changing. Even so, I will say this: if you are one of those people who read, learn, and have an ambition to improve your usage of language and quality of mind in the way of social media, algorithms, and technology, I think that’s great. You should try to be yourself.

Succeeding is something that I think really takes a strong person to accomplish, but I don’t think it’s wrong to try for it. Really, even if the world burns and everyone tells you that, at a later point in human civilization, everything that you see will be created by an AI and your human role will be limited, will that stop you from appreciating the beauty of a flower? Whether through your senses of sight on a golden summer’s day or in your mind, as the words pass into the inner theater and come out projected in high-resolution 8K, as a panorama assembles itself and infuses itself indelibly into your soul.

Don’t worry too much about the world burning. If you are worried, worry a little bit more about what you like and what you can control. If what you chose to control yourself to do in this moment was to read this blog post, what I can say as we begin the week is this: thank you, happy Monday, everyone, and here’s to more of your successes in the days ahead.

Narrative Essay Reflection and Breakdown: Write a story that includes the words ‘… I looked around the table …’. (October/November 2025, Variant 2, Q4)

Victor Tan
 

Welcome back, all! Have you ever noticed how many of our deepest metaphors for belonging are really about a table? We want “a seat at the table”. We “bring something to the table”. We talk about people we’d “break bread” with. The table is where English keeps its ideas about family, inclusion and power — a flat wooden surface doing an enormous amount of emotional labour.

So when a prompt asks you to look around a table, it isn’t really asking about furniture. It’s asking you to survey a small society: who is present, who is missing, who is silent, and what is running, unspoken, beneath the tablecloth. A table full of people is a map of relationships, and a single empty chair can say more than a page of dialogue.

This week’s essay prompt: “Write a story that includes the words ‘… I looked around the table …’.” — Question 4 from the October/November 2025 Paper 2 series.

Here’s the craft point: the required words invite a pause — a beat where the narrator surveys the room. Weak responses waste it (“I looked around the table and saw my family”). The strongest ones use the sweep of the eye to characterise everyone at once, in a single controlled paragraph, and to plant the tension that the rest of the story will pay off.

A sophisticated move is to use the phrase twice — once to establish the scene, and once, later, to measure how everything has changed while nothing has visibly moved. That structural echo turns a required line into the architecture of the whole piece.

The full essay is available for our premium members and is also marked and graded according to the IGCSE First Language English official rubrics and marking criteria. By reading it, you can see how a top-band narrative uses one dinner-table announcement to unfold a quiet story about grief — and how a single unused place setting can carry the whole emotional weight of the piece.

And if you want to know how your own writing measures up, our IGCSE Essay Marker gives you instant, rubric-aligned feedback on your own descriptive and narrative compositions in seconds.

If you haven’t signed up already, then make sure to sign up over here!

Descriptive Essay Reflection and Breakdown: Write a description of a shop before and after a busy day’s trading. (October/November 2025, Variant 2, Q2)

Victor Tan
 

Welcome back, everyone! Two tiny words are doing enormous work in this week’s prompt: “before” and “after”. English is quietly obsessed with them. We talk about a “before and after”, a “turning point”, “the calm before the storm”. We instinctively understand the world as a set of states with a transformation in between — and that instinct is a gift to a descriptive writer.

I also love the word “trading” here. It’s an economic word — it turns a day of human noise, sweat and small kindnesses into a single dry abstraction: commerce. Part of the pleasure of this task is refusing that abstraction, and putting the mess and warmth back into “a busy day’s trading”: the bruised fruit, the churned sawdust, the tired scales.

This week’s essay prompt: “Write a description of a shop before and after a busy day’s trading.” — Question 2 from the October/November 2025 Paper 2 series.

The prompt is unusually generous, because it hands you your structure for free: two panels, dawn and dusk, pristine and wrecked. The danger is wasting that gift — writing two unrelated paragraphs that don’t speak to each other. The strongest responses make the halves mirror: the tidy pyramid of apples at dawn becomes the collapsed foothills at dusk; the honest scales lose their honesty.

Top-band writers also resist the assumption that “before” is beautiful and “after” is sad. Often the wreckage is richer — warm, lived-in, smelling of everything that was wanted. That reversal of expectation is exactly the kind of controlled, deliberate structure the mark scheme prizes.

The full essay is available for our premium members and is also marked and graded according to the IGCSE First Language English official rubrics and marking criteria. By reading it, you can see how a top-band description makes its two halves answer each other detail for detail — and how the exhausted evening shop ends up more alive than the perfect, lonely museum of the morning.

And if you want to know how your own writing measures up, our IGCSE Essay Marker gives you instant, rubric-aligned feedback on your own descriptive and narrative compositions in seconds.

If you haven’t signed up already, then make sure to sign up over here!