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The Weaponization Of Language

Victor Tan
 

I was scrolling through my phone the other day when I felt it—that particular kind of nausea that comes from watching someone perform morality in real-time.

You know the type. The moral defender. The person who swoops into every conflict with their cape of righteousness, insisting that we all need to “be more tolerant,” “show kindness,” “practice understanding.”

The fascinating thing is that the person who was using all these words was basically trying to manipulate people into agreeing with them while proclaiming that they were the most wonderful, because we were pointing out that a member of the group was advertising to us against the group rules.

I wanted to throw my phone across the room.

Not because I’m against tolerance or kindness—I’m not a sociopath. But because I could see exactly what was happening. The words were beautiful. The intention was manipulation. And suddenly I’m the bad guy if I point it out, because how dare I object to kindness?

That’s when it clicked. This is the same thing I’ve been trying to teach my IGCSE students about writer’s effect, except I’d been too polite about it. I’d been talking about “connotation” and “rhetorical devices” when what I should have been saying is: language is a weapon, and people use it to control you.

Here’s what actually happened.

A particular individual in the group has been posting about his Himalayan salt spa for a while. He constantly talks about how it is the most amazing Himalayan salt spa in the world, and he deliberately evades any association between him, although everyone who does any basic research understands that he owns the place, and he constantly tries to advertise it.

A few of us pushed back. Normal discourse, right?

Then our moral guardian appeared:

“I think we should all try to be more tolerant of different perspectives. We need to show kindness even when we disagree. Let’s create a space where everyone feels safe to express themselves.”

And I felt sick.

Because here’s what that message actually said:

  • “Your criticism is intolerance” (even though the original comment deserved criticism)
  • “I am the arbiter of kindness” (establishing moral hierarchy)
  • “Your discomfort with stupidity is the real problem here” (gaslighting)
  • “I control what counts as valid discourse in this space” (power move)

Every single word was weaponized – When this person said “Tolerant”, it didn’t mean that they were tolerant; it meant that they wanted the other person to shut up. “Kindness” didn’t mean genuine compassion—it meant stop making me uncomfortable. “Safe space” didn’t mean protecting vulnerability—it meant protecting stupidity from accountability.

And if others objected? Then they were the intolerant ones, the unkind ones, the ones destroying the safe space.

That’s the genius of weaponized language – you can use words like “kindness” and “tolerance” in order to attack people. Not very kind or tolerant behavior, to be sure!

What This Has to Do With Writer’s Effect (Everything, Actually)

Every exam passage is an exercise in weaponization. Some politician says “we need common sense solutions.” A travel writer describes a place as “untouched by modernity.” An opinion piece calls something “just basic human decency.”

These aren’t neutral descriptions. They’re moves. Strategic deployments of language designed to make you think a certain way, feel a certain way, accept certain premises without questioning them.

When I write on a student’s paper “analyze the effect of the word choice,” what I mean is: Why did the writer choose this word instead of any other word? What is it trying to make you believe? What alternatives is it trying to make invisible?

The student who writes “the writer uses ‘passionate’ to show the protesters care a lot” gets a Level 3.

The student who writes “the writer’s choice of ‘passionate’ over alternatives like ‘angry’ or ‘violent’ pre-emptively legitimizes the protest by framing emotion as conviction rather than instability—this rhetorical move attempts to control reader sympathy before any actions are described” gets a Level 6.

The difference? One student is describing. The other is exposing.

And that exposure is exactly what I needed to do with the WhatsApp moral defender.

The Gen Z Toolkit: Words for What We’ve Always Known Was Happening

I’m not Gen Z, but I appreciate what they’ve done with language. They’ve created a vocabulary for calling out manipulation tactics that previous generations just had to endure.

Gaslighting. When someone makes you question your own perception of reality. When Mr. Moral Defender suggests that my legitimate frustration with stupidity is actually my failure to be kind, that’s gaslighting. The problem isn’t the stupid comment—it’s my reaction to it. Suddenly I’m doubting myself: Am I being too harsh? Am I the problem here?

Virtue signaling. Performing morality for social credit without any actual commitment to the values being performed. I guarantee you Mr. Moral Defender isn’t actually tolerant of perspectives he disagrees with. But by being the first to call for tolerance, he gets to position himself as morally superior. The words do the work; the actions never need to materialize.

Tone policing. Dismissing the content of an argument by attacking how it’s delivered. “You need to be more respectful” almost always means “your anger is inconvenient to me.” It’s a way of avoiding engagement with substance by focusing on style.

These terms are useful because they make visible what was always there. And that visibility is precisely what we’re teaching in writer’s effect analysis.

When an exam passage describes protesters as “rioters” versus “activists,” that’s not just word choice—it’s an attempt to control your emotional and moral response before you’ve even heard what the protest is about. The writer is priming you.

When a travel piece talks about a place being “authentic” and “unspoiled,” it’s not just description—it’s othering, exoticizing, and probably erasing the actual lives of people who live there in favor of a Western fantasy.

When a politician says “hardworking families,” they’re not just identifying a demographic—they’re creating an in-group and implying that anyone outside that category (single people? unemployed people? lazy families?) is less deserving.

This is what I mean by weaponization. The words have dictionary definitions, sure. But their function in context is to manipulate.

Context Is the Only Truth That Matters

Here’s what I couldn’t say in the WhatsApp group but what I want to say now:

The word “tolerant” means nothing without context.

Is Mr. Moral Defender tolerant of my intolerance for stupidity? No. Is he tolerant of perspectives that challenge his moral framework? No. Is he tolerant of direct communication that makes him uncomfortable? Absolutely not.

So what does his call for tolerance actually mean? It means tolerance for the thing he wants to defend, and intolerance for the thing I want to critique. It’s completely asymmetrical. The word “tolerant” is being deployed strategically to achieve a specific outcome, and that outcome has nothing to do with genuine openness.

This is Karl Popper’s paradox of tolerance: if you tolerate everything, including intolerance, then intolerance wins. Genuinely tolerant people must be intolerant of intolerance. Which means true tolerance requires judgment, discernment, and the willingness to draw lines.

But that’s not what Mr. Moral Defender wants. He wants the appearance of tolerance—which is actually just conflict avoidance dressed up in moral language.

And this is exactly what I need my students to recognize in their exam texts.

When a writer says “reasonable people can disagree,” ask: who counts as reasonable in this framework? When they say “balanced perspective,” ask: balanced between which positions, and why those specifically? When they appeal to “common sense,” ask: common to whom?

Context determines meaning. Always. Without exception.

The Connection to Writer’s Effect: Making It Real

When I’m marking papers and I see a student write “the writer uses emotive language to make the reader feel sad,” I die a little inside.

Because that student is doing exactly what I did in the WhatsApp group—accepting the surface meaning without interrogating the function.

The question isn’t whether the language is emotive. The question is: Why is the writer trying to make you sad? What does your sadness make you more likely to accept? What perspectives does this emotional manipulation obscure?

Let me give you an example from an actual past paper:

“The refugees arrived devastated, having lost everything they once held dear.”

A weak analysis: “The word ‘devastated’ is emotive and makes us feel sorry for the refugees.”

What I’d write: “The writer’s choice of ‘devastated’ frames the refugees primarily through their victimhood, which—while generating sympathy—also strips them of agency and complexity. The passive construction ‘having lost’ obscures who or what caused the loss. This emotional weaponization creates empathy while potentially avoiding harder questions about systemic causes or political responsibility. The reader’s sadness becomes a substitute for analysis.”

See the difference? I’m not saying the writer is wrong to generate sympathy. I’m saying that all language choices have implications, and our job as readers is to be conscious of those implications rather than passively absorbing them.

That’s what Mr. Moral Defender was trying to prevent. Consciousness. Critical analysis. The willingness to interrogate rather than accept.

What “Tolerant” Actually Looks Like

You know what’s actually tolerant? Being able to hear criticism without immediately performing wounded morality. Being able to distinguish between disagreement and attack. Being willing to defend your positions with arguments rather than emotional manipulation.

You know what’s not tolerant? Using the word “tolerant” to shut down discourse.

This applies directly to your exam analysis. When a writer uses words like “obviously,” “clearly,” “everyone knows,” or “it’s just common sense”—that’s not confidence in their position. That’s an attempt to make their position seem self-evident so you don’t question it.

Real confidence welcomes scrutiny. Weaponized language tries to pre-empt it.

In your exam response, you might write:

“The writer’s repeated use of ‘obviously’ attempts to establish consensus where none may exist. By framing their position as self-evident, they weaponize assumed agreement to discourage critical examination. This rhetorical strategy reveals anxiety about the strength of the argument—truly obvious claims rarely need to be labeled as such.”

That’s not just good analysis. That’s seeing through the manipulation.

The Real Lesson (Or: Why I’m Still Angry)

I’m still annoyed about that WhatsApp exchange. Not because I think I should have “won” the argument—there was no argument, just a performance of morality that successfully shut down conversation.

I’m annoyed because it’s the same pattern I see everywhere. In politics, in social media, in corporate communications, in everyday discourse. People say beautiful-sounding things and expect that to be enough. They use words like shields—tolerance, kindness, safety, respect—and if you question how those words are being deployed, you’re the villain.

But here’s what I’ve learned from years of teaching IGCSE English:

Words only mean what they mean in context. Claims only matter if actions support them. And the person who says “I’m tolerant” isn’t necessarily tolerant—you have to look at what they’re actually tolerating and what they’re actually suppressing.

This is the core skill of textual analysis. This is the core skill of being a functioning adult who can’t be easily manipulated.

When you read a text—any text, exam passage or WhatsApp message—your job is to ask:

  • What is this language trying to make me do?
  • What alternatives is it trying to hide?
  • Who benefits from me accepting this framing?
  • What would change if different words were used?

That’s not cynicism. That’s literacy.

Conclusion: Trust Nothing, Interrogate Everything

Mr. Moral Defender in my WhatsApp group taught me something valuable, even if he didn’t mean to. He taught me that the best way to manipulate people is to use the most virtuous-sounding language possible. Make your weapon so beautiful that questioning it seems like a moral failing.

But once you see it, you can’t unsee it.

And that’s the point of education, isn’t it? Not to make you compliant. Not to make you polite. But to make you dangerous—dangerous because you can’t be controlled by pretty words anymore.

So the next time someone tells you to be more tolerant, ask them what they want you to tolerate. The next time someone creates a “safe space,” ask whose safety matters and whose doesn’t. The next time language sounds too good to be true, remember: it probably is.

And when your exam asks you to analyze writer’s effect?

Don’t just describe what the writer did.

Expose why they did it.

That’s not just how you get the marks.

That’s how you survive.

How Much Grammar Must I ACTUALLY Know For First Language English?

Victor Tan
 

“Wow! Grammar! Something that I haven’t heard about for a long, long time.”

I can imagine that playing through your head time and time again as you show up for your First Language English class, probably you would continue for weeks on end. Before you know it, and contrary to popular belief, you’ll be at the end, and you’ll have never touched a lick of grammar.

What a weird thing to happen given just how important grammar is – but you certainly won’t need to understand grammar formally in the 0500 curriculum, although you’ll definitely be expected to know how to use it correctly.

As you probably know, grammar refers to the rules that guide what is correct usage of the English language.

Your tenses, past, present, and future. Your keeping consistency, your using the rules at the right time in the right place to convey exactly the kind of meaning that you want. It is like the air we breathe – necessary for a smooth daily existence, forgotten when it’s there, but when it’s gone, everybody notices as they swim from the deep waters to the itch separating them from the air to breathe it all in.

And so it is with grammar—so important, yet so easily forgotten.

Unfortunately, if you are hoping to learn about grammar in the course of your daily first language English life, bad luck because you’re not going to. After all, in first language English, people pretty much assume that you just know everything. You’re a first language speaker, unfortunately. In many cases, though, that’s an assumption that’s not actually true unless you’re telling me that you know every single grammatical rule out there.

The good news is twofold:


Firstly, you don’t need to memorize every single grammatical rule in order to function, and in fact, most speakers or users of the language don’t.

What’s a lot more natural is that we just make use of the language the way experience teaches us.


The second thing is that there’s no real test of grammar—at least, in an explicit sense— with grammar drills or anything like that. The bad news is if you’re not one of those people who has that sort of explicit knowledge, then chances are you’re just going to pass through the entire course not learning clearly or intuitively about those rules; Thrown into the deep end, it’s your job just to function and level up. You have no idea how many people go through this.

People who are taking first language English, when really given their foundational skills, they should actually be doing second language. Never actually speaking English at home, only here to take it up because they need it for university.

Well, nowhere is the situation as dark or sad as you might imagine, because you’d be surprised what human beings can learn when under pressure.

But trust me, I’ve seen so many people just come and go, passing by, never really learning the rules, even though they would have made life so much easier for them.

That’s why right here we have The Complete Grammar Guide For IGCSE English, a small refresher for you to learn grammar in case you want to refresh your understanding of the foundational rules and how all of them work together with one another.

Real talk though – it’s probably going to be hard to pick up grammatical rules all along. In any case, that isn’t what first language English is about: This class is after all more about appreciating the different ways to use language, the different kinds of meanings that are produced.

You can approach to some extent without memorizing grammatical rules, although to some extent, of course, the rules themselves are what define meaning, so there is a challenge then in understanding enough grammar and appreciating language well enough that somehow or another your understanding of the rules informs your ability to create, understand, and appreciate meaning.

While at the same time you don’t get too caught up with memorizing things. It’s up to you to discover that balance.

If you pick up the complete IGCSE grammar guide, I hope you’ll think of this as you reflect along the way. Thank you for your support, and look forward to seeing you in the next ones!

Narrative Essay Reflection and Breakdown: Write a story which includes the words, ‘… it could not be stopped … (May 2025 Variant 1, Question 4)

Victor Tan
 

Welcome back, friends!

January’s two thirds over (can you believe it???), and I’m starting to notice how much of our language is built around control—or the illusion of it. We “seize the day,” “take charge,” “make things happen.” English loves this fantasy of agency, as if willpower alone could bend reality. But then there are those other phrases, the ones we whisper when things go sideways: “it is what it is,” “que sera sera,” “nothing we could do.” It’s fascinating how quickly we code-switch between these two registers—the language of control and the language of surrender—depending on whether we’re winning or losing. And maybe that’s what makes storytelling so powerful: it forces us to confront the space between what we can change and what we cannot, between action and acceptance. The best stories live in that tension, where characters push against unstoppable forces not because they’ll win, but because not pushing would cost them something essential about who they are.

This week’s essay prompt: “Write a story which includes the words, ‘… it could not be stopped … ‘”; it is question 4 in the May 2025 Paper 2 series from Variant 1 – we’ll end with Q1 Variant 1 next week before heading in to Variant 2 thereafter!

Here’s what makes this prompt brutally effective: those four words force you to write about powerlessness—but they don’t tell you what cannot be stopped, who tries to stop it, or why it matters. The prompt is a constraint that creates immediate dramatic tension, but the real test is whether you can build a story where the unstoppable thing isn’t just plot machinery—it’s thematically essential. Many students will reach for the obvious: a natural disaster, a speeding vehicle, an illness. But the strongest responses understand that “it could not be stopped” is only interesting when someone desperately needs it to stop. The emotional stakes determine everything. What’s being threatened? Who’s trying to intervene? What does their failure (or partial success) reveal about human agency and limitation? This is where narrative writing becomes sophisticated: when you use external, physical momentum to explore internal, moral questions. Can you make us feel the gut-punch of pulling an emergency lever that does nothing? Can you show us a character learning, in real-time, that acceptance and action aren’t opposites—they’re sometimes the same desperate thing?

As always, the essay will be marked according to the IGCSE First Language English marking criteria available in the rubrics, and you will understand clearly what works and what doesn’t, and why. As always, so you can understand the logic of why what works works and get inspiration for your own writing.

You’ll find the essay here!

The full essay is available for our premium members. If you haven’t signed up already, then make sure to sign up over here!

Thank you all, and look forward to seeing you in the next one!